Tuesday, February 7, 2017

Lampedusa: Debating representation of migration in an age of 'crisis' (2 March, 6:30pm.)





Dear all,
it's my pleasure to announce an upcoming event at the University of Westminster, where I will present on my research together with artists Maya Ramsey, Lucy Wood and Côme Ledésert.
Don't miss it! The event is free but registration is required. 

Richard Mosse, Incoming (Barbican Art Gallery 15 February-23 April 2017)


Richard Mosse, Incoming


15 February 2017 - 23 April 2017Curve Gallery



Barbican Art Gallery has invited conceptual documentary photographer and Deutsche Börse Photography Prize winner Richard Mosse to create an immersive multi-channel video installation in the Curve. In collaboration with composer Ben Frost and cinematographer Trevor Tweeten, Mosse has been working with an advanced new thermographic weapons and border imaging technology that can see beyond 30km, registering a heat signature of relative temperature difference. Classed as part of advanced weapons systems under International Traffic in Arms Regulations (ITAR), Mosse has been using this export controlled camera against its intended purpose, to create an artwork about the refugee crisis unfolding in the Aegean Sea, off the coast of Libya, in Syria, the Sahara, the Persian Gulf, and other locations. 
Mosse is renowned for work that challenges documentary photography. In his recent work The Enclave (2013) – a six-channel installation commissioned by the Irish Pavilion for the 2013 Venice Biennale – Mosse employed a now discontinued 16mm colour infrared film called Kodak Aerochrome that transformed the green landscape of the eastern Democratic Republic of Congo into vivid hues of pink to create a surreal dreamscape. Questioning the ways in which war photography is constructed, Mosse’s representation of the ongoing armed conflict in eastern Congo advocates a new way of looking.
Born in Ireland in 1980, Richard Mosse lives and works in New York and Ireland.


Please note, the exhibition will close at 6pm (last entry 5.30pm) on 16 February.

Representing the Calais Jungle GIDEON MENDEL: DZHANGAL (London, 6 January-11 February)

GIDEON MENDEL: DZHANGAL

Rivington Place (London)

Photographer Gideon Mendel has created a powerful installation using objects he gathered during visits to the 'Jungle' refugee camp in Calais.
By focusing on items such as toothbrushes, playing cards, worn-out trainers, teargas canisters, and children’s dolls, Mendel conjures alternative portraits of the 'Jungle' residents that also stand in for the plight of displaced people everywhere. 
The title of the project Dzhangal refers to a Pashto word meaning ‘This is the forest’, the origin of the contentious term 'Jungle'.
Mendel is noted for his long-term socially engaged projects. He initially went to Calais to teach photography to refugees part of a collaborative documentary project. He discovered that many refugees were hostile towards the camera and sceptical that it would ameliorate their situation. Many feared that being identified could undermine their asylum claims and lead to deportation.
Mendel’s response was to turn his attention to lost objects on the ground, collecting them and trying to understand the patterns that emerged. Through the display of discarded objects, Mendel highlights the residents’ humanity. Some objects evoke the daily violence many experienced, some reflect the banality and domesticity of lives there - including the plight of women and children - while artefacts from a deeper archaeological layer evidence the era before the camp existed.
This exhibition combines a series of large still life photographs of these objects with installations of found objects. Mendel regards his Dzhangal project as a way to create order from the disorder. It is an attempt to make sense of the complex relationships, politics, and situations found on the ground by restructuring the objects within the frameworks of art and photography. In these artefacts with all their ingrained grit and ashes, one senses the refugees’ struggle to live ordinary lives under extraordinary circumstances, while the stench of smoke evokes the fire that turned to ashes their hopes for better lives in England.
During the concluding week of the exhibition, Mendel’s book, DZHANGAL will be released. Published by Gost Books, it will include 80 pages of images, along with texts by refugees, writer and broadcaster Paul Mason, and art historian Dominique Malaquais.
On the Jungle
The Jungle was the final incarnation of temporary refugee camps that sprang up around the Port of Calais in the past eighteen years. Initially, residents in the camps numbered in the hundreds— with an estimated 800 refugees in 2009. Since then, this number rapidly increased because of turmoil in the Middle East and the Horn of Africa. In September 2014, there were approximately 1,300 refugees. By November 2015 numbers had risen to 6,000. There were up to 9,000 refugees residing in the Jungle in October 2016, when the camp was demolished.